Thursday, January 31, 2008

A box of myths

By the time Lucia was two years old, she had given up on naps altogether. I, however, still needed them. Sometimes I get a chance to lie on the couch for a little while to stave off the fatigue and crankiness. Usually, Lucia does not want me to sleep. Once, I asked her why she didn’t want me to sleep, and she said, “I get scared.” I can understand that—if I’m the only adult in the house and I’m sleeping, she feels alone. As a result, when I lie down on the couch, I’ll ask her to come over and be cozy with me for a few minutes, so that she doesn’t think I’m trying to trick her into taking a nap (though if she fell asleep, it would be a whole lot easier).

Two days ago, I was so tired, and I lay down on the couch with Lucia next to me. Bede and I had just talked with her recently about not staring directly at the sun, and that may be why I told her about the Greek god Helios, who drove the chariot of the sun across the sky. She wanted to know more about the Greek gods, so carefully, I chose some stories that I remembered and thought would be age-appropriate. Lucia was quite interested in Athena, the goddess of wisdom, who carried an owl on her shoulder. I told her about the contest between Athena and Poseidon, the god of the sea: both desired to be patron of a lovely city and decided that whoever gave the better gift would get that city. Poseidon struck the ground with his trident, and a stream burbled up. However, the stream was salt-water, and the people of the city didn’t think it was useful. Athena then brought an olive tree to the city, which was the first olive tree the people had ever seen. The people could then make olive-oil. Athena won the patronage of the city, and it was named Athens.

Later, we looked through D’Aulaires' book of Greek Myths together. I chose to read to her parts of a story about the early life of the trickster god Hermes, and how he made the first lyre strings out of the guts of some of the cattle he stole from Apollo, god of light and music. However, what caught Lucia’s attention was the story of Pandora. She found the page of all the evils of the world let loose out of the box and asked for the story:

After Prometheus stole fire from the gods, Zeus (ruler of the gods) wanted to punish humankind, so he had Hephaestus, the god of craft-smiths and fire, create a woman full of great curiosity. Zeus gave her a box with all of the ills of the world, and told her not to open it. Of course, Pandora opened the box (that is the human condition), and everything escaped—everything except hope, which Pandora was able to keep inside the box.(A later version of the myth of Pandora indicates that the box was actually filled with blessings, and that when they escaped, only hope remained. The Wikipedia entry for Pandora has some interesting viewpoints on the myth.)

Lucia has been playing Pandora ever since. We found a yellow box that she carries around and refuses to open until everyone in the room agrees that the game is over and the box is just a box. She draws pictures of Athena with her owl and shepherds holding apples (i.e. Paris dealing with the apple of discord, which is another blog-post altogether). This morning, I found her yellow play-silk stuffed into a Playmobil carriage to represent the sun-chariot of Helios. There are many elements of the Greek myths for which she’s not yet ready, but I know she’s excited about discovering a whole new collection of stories.

Saturday, January 26, 2008

In search of a brief history

January 2008 is the first month I've had over three thousand visitors. Thank you! I appreciate it. People have found the blog through searches for various guitar chords, story elements, and saint action figures.

One of my favorite posts ever is A Brief History of the British Empire, co-authored by Bede. Sometimes I feel a bit rueful when I discover variations of that search that bring people to the blog. No doubt, they are searching for something scholarly and reliable for their reports. We have a disclaimer at the end of the post but I sometimes wonder-- are they amused? After watching I, Claudius and Rome, I think it time that Bede and I write A Brief History of the Roman Empire. If you'd like to contribute, we will give you full credit for your input. What we need are historical or pseudhistorical tidbits that would contribute to a person's understanding of Roman events based on film and television. For example, after watching Gladiator, one might surmise that republican rule returned to Rome after the fall of Emperor Commodus. I am concerned that Roman history won't be as funny due to all of the violence (despite the guilty pleasure of The Life of Brian). Remember when Xena, Warrior Princess had a liason with young Julius Caesar? It ended badly. Sigh.

Friday, January 25, 2008

Your lucky day

Eric Herman has a new video out called "Lucky Day." It's animated by Eric's wife, Rosanne Endres, and the song is co-written by Herman, Endres and "Smilin' Eric" Ode. Watch through the end of the credits for a surprise. While you're at it, take a look at this shameless piece of advertising! I don't know about you, but I suspect nepotism.

Thursday, January 24, 2008

Song of the Week: Sister Rosetta Goes Before Us



The song I've had going through my head quite a bit lately is a haunting melody of lost love called "Sister Rosetta Goes Before Us," by Leslie Ann Phillips, a.k.a. Sam Phillips. I first heard it sung by Alison Krauss with background vocals by Robert Plant on the album Raising Sand. Phillips' recording can currently be heard on the somewhat haphazard player located on the bottom right corner of her website here. (You might have to hit the fast-forward button a few times and refresh to get past the song "Signal," which is lovely in its own right--but I digress.) Otherwise, you can hear the version by Krauss here-- just click on the "Listen to the Album" link at the top left of the page.

The "Sister Rosetta" of the song is, of course, the gospel singer and guitarist "Sister Rosetta" Tharpe. Jules of Seven Impossible Things Before Breakfast recently posted a video of Sister Rosetta singing and playing "Up Above My Head," the song that clearly inspired some of Phillips' lyrics.

Here are the lyrics and chords:


Click on the image to enlarge it

The chords provided are transcribed by my guitar teacher. Lyrics and chords are provided purely for the purposes of study and research.

Updated on 01/30/07 to reflect a chord correction.
Updated on 06/14/08 to reflect a lyric correction.

Tuesday, January 22, 2008

Spinning Wheel: Joel Caithamer



I first learned about the music of librarian Joel Caithamer through Warren Truitt's Children's Music That Rocks blog with a review of Caithamer's rockabilly album "ACTIVATE!" Truitt asks, "Why isn't this guy more famous?" The first track alone, "Big Bad Wolf," was enough to hook me into buying the whole album. (On a song-mix I've made for my daughter, I've got "Big Bad Wolf" following Laurie Berkner's "Lots of Little Pigs.") You can listen to some song samples here and find links both to "ACTIVATE!" and Caithamer's first album, "What's Happening, Spaceman?" here.

Joel Caithamer works with the Kenton County Public Library in Kentucky. Although he is busy finishing the vocals for his next album, "The Biggest Everything in the World," he was kind enough to take some time to answer a few questions for the Spinning Wheel interview series:

What exactly do you do for a living?
Joel Caithamer: Children’s Services Coordinator

How long have you been working in your chosen profession?
JC: 11 years

What prompted you to perform for children?
JC: I got into children’s services because of the literature. Performing was a natural offshoot since I was presenting story times every week.

Why do you continue to do it?
JC: There is always a new audience with new reactions.

Which performers are your inspirations for your work?
JC: Zak Morgan, AC/DC, Steve Martin

What are some of the things you enjoy doing outside of your profession?
JC: Competing in Scottish Highland Games Heavy Events, Family outings

Was there ever a time when your audience surprised you? What happened?

JC: I was playing a song about underpants at a preschool and little did I know but the teacher had instructed the kids to bring an extra pair of undies to school that day. During the chorus all of the kids pulled out their underpants and put them on their heads. I still get misty-eyed to this day.

What’s in heavy rotation on your stereo/iPod lately?
JC: Hank Williams 3, "Rising Outlaw"

If you could headline a festival with three other performers, who would they be?
JC: Pete Seeger, Jason Ringenberg and Heywood Banks

What’s the song or story that never gets old for you?
JC: Frank Was a Monster Who Wanted to Dance (Keith Graves)

The Pivot Questionnaire:

What is your favorite word?
Incisor

What is your least favorite word?
Dude

What turns you on creatively, spiritually or emotionally?
Joni Mitchell’s Blue album

What turns you off?
Lite Beer

What is your favorite curse word?
[Opted not to answer]

What sound or noise do you love?
My daughter saying "Daddy"

What sound or noise do you hate?
Woofer speakers in cars

What profession other than your own would you like to attempt?
Blacksmith

What profession would you not like to do?
Door to door salesman

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?
“You can use any Marshall Amp you want. Just stay away from my Mesa Boogie!”

Monday, January 21, 2008

Tabby Road

Check out Recess Monkey's links page. Look on the left side, fourth item down. Thanks, Recess Monkey! As you know, everyone in the House of Glee is a fan. In fact, we are so besotted that we are going to help Recess Monkey record their next album, "Tabby Road." Recess Monkey just wants us to sing, but Brad the Gorilla has threatened to show up on the day of recording with all of our guitars, ocarinas and harmonicas, plus our ukulele, zither, recorder and slide whistle. I also caught Brad enthusiastically working on this:



Yes, I think it's a little disturbing, too! At least Brad had the good sense to edit out Paul's cigarette, as I doubt Jack smokes.

Sunday, January 20, 2008

January 2008 Carnival of Children's Literature

The first children's book carnival of 2008 is here! Visit Wizards Wireless for the January Carnival of Children's Literature: Book Awards. There are a lot of good things to read, but what I zeroed in upon immediately was Lisa Chellman's love/hate relationship with the Newbery awards. Chellman writes:

I’m also bothered by school assignments that send children to the library specifically for Newbery and Caldecott winners. Of course I want children to appreciate great literature along with whatever else they read. But teaching children that these winners are “the best” is a double-edged sword. Maybe they’ll gain appreciation for the craft of writing and illustration. Or maybe, when they struggle through one of the more difficult winners, they’ll wonder why they hate the “best” books so much. Maybe, they wonder, it’s because they’re bad readers. Maybe it's because they don't understand what makes a good book. Or maybe it's because adults just don't get it.

Inside my almost 36-year-old brain are vivid memories of what it was like to be a child at different ages. I know what I enjoyed reading, and I appreciated it when adults offered books that stretched me beyond my comfort level, but I resented it when adults said things to the effect of, "If you don't see any value in this book, then you need to examine what is wrong with your thinking." Wiser adults would have said, "You're not ready for this book at this time. Put it away and try it again later."

Friday, January 18, 2008

Song of the Week: I Asked Him For Water (He Gave Me Gasoline)


I met a man once who had an uncanny sense when it came to people. He told me, "There is someone in your life who is important to you. That person extends a hand toward you, but as soon as you reach for it, the hand is gone. That person says, 'There is so much I could offer that would make you feel special and wonderful. I know what you need-- and I'm not going to give it to you!'"

I wish at that time I had known Chester Burnett's blues song "I Asked For Water But He Gave Me Gasoline." It would have been my theme song for many years. The first time I heard it, I thought, "Yup, that's the person that man warned me about."

The versions of the song with which I'm most familiar now are by Howlin' Wolf and Lucinda Williams (found on her self-titled 1988 album):

Oh, I asked him for water, he gave me gasoline
Oh, I asked him for water, he gave me gasoline
I asked him for water, he gave me gasoline.

I went down to the depot looked up on the board
I went down to the depot looked up on the board
Saw that train a running but I could not get on board.

I asked the conductor, "Can I ride the blinds?"
I asked the conductor, "Can I ride the blinds?"
Said, "Girl, buy your ticket, buy your ticket
Cause this train ain't none of mine!"

Oh, I asked him for water, he gave me gasoline
Oh, I asked him for water, he gave me gasoline
I asked him for water, he gave me gasoline.


You can find the chords for the Lucinda Williams version here. We sing this a lot in the House of Glee, but we often substitute the words for ones that are more appropriate for specific situations, i.e. "I asked him for coffee, but he gave me decaf tea," or "I asked mom for stories, but she made me go to sleep." It's a bit touch-and-go as far as deciding whether or not we have the right to sing the blues.

Wednesday, January 16, 2008

Furious George: A CBTNW guest post

Minh Le of Bottom Shelf Books has done it again! Presenting the newest installment of Children's Books That Never Were by the guest blogger who makes me laugh until I weep provides dignified commentary on the gripping socioeconomic issues of children's literature today:




From: hanna.rey@cgeorge.org (Hanna Rey)
To: Frasizzle@sharpercrow.com (Chadwick Q. Fraswell III)
Subject: Book Query

Dear Mr. Fraswell,

Attached please find my manuscript for Furious George: Father Knows Best. As the granddaughter of the legendary H.A. Rey, I feel a particular need to continue the Curious George story, but updated with 21st Century sensibilities. In this latest installment, George Sr. is understandably furious at the kidnapping of his son. The only clue he has is that the man was dressed "all in yellow". Furious George travels across the world in search of this culprit. The journey takes years, but George Sr. will not be deterred. The book ends with a climactic confrontation between George Sr. and the Man in the Yellow Hat. I won't give the ending away, but let's just say that justice is finally served. I hope you enjoy the manuscript and if you have any further questions, please do not hesitate to contact me. Thank you for your time and consideration.

Sincerely,

Hanna A. Rey

-----------

From: Frasizzle@sharpercrow.com
To: hanna.rey@cgeorge.org
Subject: Re: Book Query

Dear Ms. Rey,

First of all, let me tell you what an honor it is to be corresponding with someone of your regal lineage. Second of all, let me tell you that your manuscript totally rocks! I'm currently working on a deal to present Furious George to my supervisor. In the meantime, may I ask what made you want to take the George series in this new direction?

Sincerely,

Chadwick Q. Fraswell III
Editorial Assistant
Children's Division
Sharper & Crow

-----------

From: hanna.rey@cgeorge.org
To: Frasizzle@sharpercrow.com
Subject: Re: Book Query

Hi Chadwick,

I'm glad that you are excited by the idea! I first decided to take on this project last year. Curious George Industries was preparing a defamation lawsuit against Bottom Shelf Books for their blasphemous review of Curious George. We were prepared to take them to court, but we dropped the case when we realized that BSB had no money. But the whole affair did make me think that it was time to update the series. I had taken a couple of literary criticism classes as an undergraduate and viewing Curious George through a post-colonial lens was uncomfortable to say the least.

To set the record straight, I know that my grandfather was a kind man... he was just a product of his times. I thought it was important to write a book that would protect his legacy from modern criticisms. But I'm rambling. We can discuss this further later. Is there any other information you would need from me before we move along with this process?

All the best,

Hannah

-----------

From: Frasizzle@sharpercrow.com
To: hanna.rey@cgeorge.org
Subject: Re: Book Query

Hannah,

Lit Crit classes? I do believe you are a woman after my heart. I would love to discuss this project with you further... perhaps over drinks?

C.Q.

-----------

From: hanna.rey@cgeorge.org
To: Frasizzle@sharpercrow.com
Subject: Re: Book Query

Dear Mr. Fraswell,

I apologize if I gave you the wrong impression. I would prefer it that we keep this relationship on a professional level. I would be happy to continue our correspondence via email or a scheduled conference during business hours. Thank you.

Sincerely,

Hannah Rey

-----------

From: Frasizzle@sharpercrow.com
To: hanna.rey@cgeorge.org
Subject: Re: Book Query

Come on... just one drink? Nothing seals a book deal like a couple of martinis. ;)

-----------

From: hanna.rey@cgeorge.org
To: Frasizzle@sharpercrow.com
Subject: Re: Book Query

Mr. Fraswell,

I have decided not to pursue a professional relationship with Sharper & Crow and will be taking the Furious George project to another editor. Please be aware that I will be contacting your editor, Mr. Garrulous MacKenzie, about your suspect professionalism.

H. Rey

-----------

From: Frasizzle@sharpercrow.com
To: hanna.rey@cgeorge.org
Subject: Re: Book Query

Oh crap. Not again. I should have learned my lesson after I made that unfortunate pass at Margaret Wise Brown's niece. Crap.

Tuesday, January 15, 2008

Margaret Read MacDonald and my daughter



On Saturday, we were all revved up to see Recess Monkey at the central Seattle Public Library branch when we found out Margaret Read MacDonald was telling stories at Island Books. Lucia enjoys the music of Recess Monkey quite a bit, but she has a connection with Margie (as the great Dr. MacDonald introduces herself), and opted to attend the storytelling event instead. Lucia drew a picture of Aree and her friends wearing layers of dresses, based on the Thai story The Girl Who Wore Too Much. Here is the picture:




Margaret Read MacDonald told some of her favorite stories from the picture-books she's published, including The Squeaky Door and The Old Woman and Her Pig. My favorite picture-book by MacDonald is Fat Cat, illustrated by Julie Paschkis, and it was to my delight that when MacDonald unveiled her new book, a British variant on the Beauty and the Beast story called The Great Smelly, Slobbery, Small Tooth Dog, Paschkis had provided the drawings once more.

What I wish you could see are the end-papers. Paschkis drew different plants to symbolize the emotions that develop in the story, and the end-papers have illustrations of these plants plus their symbolic meanings. I cringe to see how this book will be bound for library copies, as beautiful end-papers are often spoiled by the necessary steps to process books for public use. Is this a clever marketing ploy to get people to buy copies of the book for their own collections? It works! I bought a copy of the book for my godmother, but I think I may have to reconsider the notion that I don't need a copy for myself. Lucia concurs.

Monday, January 14, 2008

Awards, Gigs, Dreams, and Barre Chords

1) Get your 2008 ALA literary award announcements (Newbery, Caldecott, Prinz, King, Batchelder, and more) right here. I'm way behind on my books, but hey, I do read what the bloggers tell me to read.

2) I had fun at my two birthday party gigs yesterday. Unfortunately, Bede was too sick to take Lucia to her classmate's birthday party yesterday (on our 7th wedding anniversary), and she was a bit down about that. However, the host from my second gig sent me home with cake and balloons for Lucia, so that was a perk.

3) I had a dream last night that I was taking a high school/college course with Neil Gaiman as the professor. When I received my report card, I found that Gaiman had flunked me. Gaiman had written in the margins, "Sorry about this--I think I gave too much reading material for this course." Never mind that in the dream I had no recollection of taking Gaiman's course, and would certainly have done the reading had I known what the assignments actually were. My dreams of late have all been variations on the theme of finding out that all my degrees are going to be negated unless I take two high school/college/graduate school courses. These courses are often a combination of English, Science, and Gym. I have a hard time finding my classes and by the time I do, the semester is almost over. I think these dreams have something to do with my lifelong frustration over the implied expectation that I can read my professors' or supervisors' minds. (Memorandum to past professors and supervisors: I can't read your minds. I know you're older and wiser than I, but trust me on this one.)

4) I'm in the midst of participating in HipWriterMama's latest 30 day challenge. This month, I'm working on barre chords for 15 minutes every day. While I've got the F chord (barring 2 strings) down and am successfully strumming a B flat barre chord 75% of the time, I've yet to incorporate these chords into songs smoothly. However, I thought this might be a good time to introduce my F7 major chord for those of you perpetually frustrated by the F chord on the guitar. I use the F7 major chord for quick changes between C and G chords, and also for arpeggios on the upper tier a la House of the Rising Sun. Here it is:

Friday, January 11, 2008

The Mysterious Aubergine

In lieu of anything witty to write as I prepare for two birthday party gigs this Sunday (which happens to be Bede's and my seventh anniversary), here is the eggplant hat that complements the strawberry hat I knitted for my daughter's school auction:

Thursday, January 10, 2008

Song of the Week: Tumbalalaika


In high school, I auditioned for the school musical (Joseph and the Amazing Technicolor Dreamcoat) with a song I learned in my introductory chorus class called "Tumbalalaika." I had a weak, untrained voice, and so I didn't get any of the singing roles.* If I were to return to high school, I'm sure I'd fare much better-- but then I'd have to return to high school. I cannot remember the name of my chorus teacher, but I do know that she was good. It's because of her that I can bluff sight-reading. Years later, I can belt out "Tumbalalaika" and play it on the guitar too:

Tumbalalaika
Based on a traditional Yiddish riddle song
Cheesy MIDI
Video of a more proficient guitarist than I

Chorus:

[Am] Tumbala, tumbala, tumbala- [E] laika
Tumbala, tumbala, tumbala-[Am] laika
Tum balalaika, [Dm] spiel bala- [Am]laika,
[Dm] Tumbalalaika, [E] frelach sol [Am]sehn.

Maiden, maiden, tell me true
What can grow without the dew?
What can burn for years and years?
What can cry but shed no tears?

Chorus

Silly boy, the answers true:
A stone can grow without the dew
Love can burn for years and years
A heart can cry but shed no tears.

Chorus

Spiel=play
Frelach sol sehn=let it be lively
These are phonetic spellings of Yiddish words.

____________
*In a break from my usual gender-neutral bit parts of yore, I was cast in the oh-so-progressive roles as (1) an Ishmaelite slave girl, (2) one of Potiphar's slave girls, and (3) one of Pharoah's slave girls. The musical had one designated female singing role, and that was Potiphar's wife with one line.

Wednesday, January 09, 2008

The Other Half of 2007

I shall continue with the second half of my 2007 blog post roundup. The first half is here.

July:
The Play's the Thing! July 2007 Carnival of Children's Literature

August:
Young Storyteller

September:
Michaelmas: September 29

October:
How Did You Get Engaged?

November:
Spinning Wheel interview with Robert Resnik

December:
Song of the Week: One Meatball (and no spaghetti)

One Half of a Roundup


I'm rounding up my favorite posts from January to June of 2007. I think Cloudscome does a year in review as well. I encourage you to do the same. I'd like to read your favorite pieces of writing.

January:
Library Grrrl

February:
In My Rhyme of Dyeing

March:
The Long Way Around

April:
Children's Books That Never Were, Part 1

May:
Cucumber Thief

June:
The Beginning and End of My 48 Hour Book Challenge

Tuesday, January 08, 2008

Tim Eriksen sings through his banjo head

Tim Eriksen, an alt-folk (and sometimes punk) Massachusetts musician sings and plays Amazing Grace on the banjo:



If you want to hear and see more, here's Eriksen singing in the snow and playing fiddle amidst the sounds of crickets and laughing chidren.
Thanks to Tony (aka "Bede") for the link and introduction to this music by a former member of the band Cordelia's Dad. You may have heard Eriksen performing "Am I Born to Die?" from the Cold Mountain soundtrack.

Monday, January 07, 2008

A La Carte by our very own TadMack

Tanita S. Davis, a.k.a. TadMack of Finding Wonderland, has her first book coming out in June 2008. The young adult novel is called A La Carte, and it's published by Random House. Here's the publisher's blurb:

Seventeen-year-old Lainey dream of becoming a world famous chef one day and maybe even having her own cooking show. (Do you know how many African American female chefs there aren’t? And how many vegetarian chefs have their own shows? The field is wide open for stardom!) But when her best friend—and secret crush—suddenly leaves town, Lainey finds herself alone in the kitchen. With a little help from Saint Julia (Child, of course), Lainey finds solace in her cooking as she comes to terms with the past and begins a new recipe for the future. Peppered with recipes from Lainey’s notebooks, this delicious debut novel finishes the same way one feels finishing a good meal—satiated, content, and hopeful.

I've just submitted purchase suggestions to my two local library systems: Seattle Public Library and King County Library System. The more purchase suggestions a library system gets for an item, the more likely they are to order that item. You can do the same with your own library systems. Most of the time, all that's required is a current library card. Sometimes the "purchase suggestion" section is hard to find, but it's often near the section for interlibrary loans.

P.S. Can you spot all the subliminal messages in this post?

Sunday, January 06, 2008

Young raconteur

As I was cleaning up my desk, I found some old photos my mom sent me. In these photos, I'm almost three years old and I'm telling stories:


"Once upon a time in a city far off in the distance..."


"And then the brave, kind girl..."

January 7, 2008 update: At HipWriterMama's request, here is a photo of Lucia at around the same age:

One of the key differences between us at these ages may not be immediately apparent, but I believe to be true: Lucia has always known how lovely she is, whereas I always suspected adults were lying and merely saying what they thought they were supposed to say when they complimented me. The big reason was that I was self-conscious of my long, uncut hair. More than stylish clothes or new toys, those braids set me apart from other children, and I felt them to be a burden--literally. It was heavy and cumbersome. I always wanted short hair. With Lucia, I decided that her hair would be kept fairly short until she expressed an opinion otherwise. Now, she's growing out her hair for the braids that she wants every now and then, but I still try to keep it to a managable length.

Saturday, January 05, 2008

Website work, ruminations, and a plug for storytelling boot camp

I'm working on text for my storytelling website. The launch date is going to be later than we had originally hoped-- late January or early February is my guess. If the blog is quiet, you'll know why.

I just turned down a storytelling gig in Everett, Washington. I felt bad about doing so, but at this point in time, I can really only accept gigs in the Seattle area plus some of the outlying areas (Shoreline, Mercer Island, Sea-Tac). If I were able to schedule two gigs in one town further away, it would make more sense to travel 40 minutes each way. I could accept more gigs if we had two cars as well, but that wouldn't make sense either unless I dedicated myself to making storytelling a full-time job.

Six months ago, someone asked in the comments if one could indeed make a living at storytelling. My answer was "Yes, but this is what it would take." I don't remember what "this" was (the particular blog post escapes me). Storyteller Sean Buvula definitely does it, plus he conducts workshops like the Outside-In Storytelling Boot Camp designed to help performers learn to be proper small business owners. The boot camp takes place February 27-29, 2008 in Avondale, Arizona. I can't go, but maybe you can.

Thursday, January 03, 2008

Amazing Grace (early draft)

As I was cleaning out the archives, I found a hand-written note from Garrulous MacKenzie that I don't think he ever sent to Mary Hoffman, author of Amazing Grace:


(click on image to enlarge)

Wednesday, January 02, 2008

When you write yourself into a corner...

Check out this anecdote about Virginia Lee Burton's Mike Mulligan and his Steam Shovel. Wizards Wireless has the story.

This post reminds me of another quandry, as posed by Ramona Quimby in Beverly Cleary's Ramona the Pest. Ramona asks Miss Binney, her kindergarten teacher, how Mike Mulligan was able to go to the bathroom when he was working all day to dig the required hole. Miss Binney is flummoxed as the kids discuss the matter. One kid wonders if Mike Mulligan climbed out and went to a service station, while another kid points out that Mike Mulligan had to work all day and couldn't stop. Finally, the inexperienced Miss Binney says that the reason why the story doesn't explain how/when Mike Mulligan went to the bathroom was because it wasn't an important part of the story. However, the kindergarten is not convinced:

Ramona and the rest of the class knew that going to the bathroom was important. They were surprised that Miss Binney did not understand, because she had showed them the bathroom first thing. Ramona could see there were some things she was not going to learn at school, and along with the rest of the class she stared reproachfully at Miss Binney.
--Beverly Cleary, Ramona the Pest, Chapter 1

Have you ever said or written anything where you backed yourself into a corner? How did you get out? Please discuss in the comments section.

Tuesday, January 01, 2008

The Jaunty Strawberry and the Moody Aubergine

Lucia's school has a yearly fund-raising auction whereby the proceeds help to keep tuition down. Some people are able to offer the loan of their vacation homes or yachts to raise money for the auction, but many of us aren't in that boat (literally). In addition to a gift certificate for a child's birthday party, I tend to donate textile items.

This year, I am making one child's garment in the style of Lilly's signature dress from Lilly's Purple Plastic Purse (cape, crown, and red cowboy boots not included), and two cozy wool hats for grownups. Surely, somewhere out there are adults who have admired the Ann Norling fruit and vegetable hats on babies, but gnashed their teeth and said, "It's not fair that babies who don't even appreciate these things (and in fact yank hats off of their heads at every given chance) get to wear strawberries and pumpkins on their heads!" For those adults, I offer one strawberry hat for the silent auction:



The hat is quite toasty, and not scratchy at all. I had made one for myself last year, but Lucia claimed it. I'm sure that if I had specifically knitted the hat for her, she would have refused to wear it.

I'm currently working on an eggplant hat. Here is its description:

Sleek, dignified and mysterious: this is the ambience of the majestic eggplant. Display your inner aubergine upon your head while keeping your ears warm. This hat is made of 100% Peruvian merino wool (hand-wash in cold water, lie flat on towel to dry). One size fits you. Hand-knit with love and humor.

To date, I've made Bede three eggplant hats. The first one I inadvertently tossed into the washing machine. The second one Bede claimed he lost, so I knit him a third one, only to find the second one hiding away in his chest of drawers. Bede admitted he'd found the hat and then hid it because he was chagrined I'd made another. When Bede saw me start the new eggplant hat, he said, "Oh, is that for me?"

I scoffed.

For those of you interested in obtaining the pattern for this hat, you can find it here at the Naked Sheep.